Natsamrat
Overview
After he retires, an aging theatre actor and his wife begin to feel unwanted by their children.
Cast
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Mahesh Manjrekar Director -
Satish Padwal Director
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Nana Patekar Ganpat Ramchandra Belwalkar -
Medha Manjrekar Kaveri Belwalkar -
Mrunmayee Deshpande Vidya Ganpat Belwalkar -
Sunil Barve Mr. Barve -
Vikram Gokhale Rambhau -
Ajit Parab Makrandh Belwalkar
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Neha Pendse Neha Belwalkar -
Samir Chandra General Public in Restaurant
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Nilesh Divekar Tea stall owner -
Jitendra Joshi Mr. Dixit's Son
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English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
Legend Nana Patekar 💐🧿🫠
One of the best acting performed on screen. Nana Patekar is simply superb. The story and the performances by the cast is emotionally moving and made me immediately rate this movie and write a review. The movie makes you question the harsh reality of relationships and standing up for what you believe in. I felt like evaluating my life and check the motive of your existence. The poems are beautifully written and portrayed. This movie is a mixture of all emotions - love,sadness,anger,trust,surprise, etc. It perfectly balances and portrays the happy and sad moments in life alternately and surprises the audience all the times. Enjoy this powerful performance by a great actor.
Masterpiece. No word else can describe what I had just witnessed. Nana Patekar is a great favorite of mine and he has captivated me in films like Parinda(1989), Prahaar(1991), Angaar(1992), Krantiveer (1994), Agni Sakshi(1996), Ghulam-E-Mustafa(1997) Yeshwant(1997), Ab Tak Chhappan (2005) and sequel Ab Tak Chhappan 2(2015), Tarkieb(2000) and Aanch(2003). He has starred in a lot of other films, but these above are a good guide. Back to the film. This film concerns the later years of a great and accomplished actor Ganpat Ramchandra Belwalkar (Nana Patekar), who has retired from the stage with the honorific Natsamrat (King of the Theater). He finds life out of stage awkward. He often makes rude and crude jokes in front of his family and friends. This often leads to a great deal of embarrassment afterwards. Also Ganpat is fond of liquor and gets drunk on many occasions. One day he teaches his grand-daughter a rude nursery rhyme which causes a great stir at school when it is overheard by her teacher. This immediately causes friction between him and his daughter-in-law. Ganpat wills his house to his son and all his money to his daughter. He says he does not need any wealth as he is very old and wants his son and daughter to take care of him and his wife. But however a great tragedy is out to befall him which will test him till the very end. William Shakespeare was a great English playwright specializing in tragedies like Hamlet/Romeo And Juliet/Julius Caesar and many others. This f
Now This is called a Movie and this is called acting. Nana patekar acted the same way as he describes how an actor should act in the movie. This is my first review for any movie and I am writing this only because of this movie. No Matter how many times you watch the movie Nana patekar can make you cry each and every time. And so is the Vikram Gokhale and remaining cast and crew of the movie. Each and every scene between Nana patekar and Vikram Gokhale is spell bounding especially the Mahabharata scene. And Last 30 min of the movie belongs only to Nana Patekar and no other actor from India currently can even touch it. Hats off!!!!!!!! Current generation need such movies to understand the essence of acting in the world of just Glamour and money.
What a splendid movie After so many years such a drama full of all sort of emotions Anger, Fear, Joy, Jealousy, sorrow, grief, fear, hope, love, hate, cruelty, greed, frustration, disappointment, desire, curiosity, surprise, gratitude, sympathy what was not there . Such a lovely drama opening all the threads of all possible worldly relations naively narrating in an eloquent manner. I don't know how many times in the middle of the movie i just wanted a pause to capture all of it into my soul. Every scene every dialogue was building it's own impact/impression or sense in the parallel world, even if u leave behind the whole story plot. Be it Karn and Krishna Sequence or the king lear one. Nana Patekar no words to his performance, you can clearly see how this great actor has worked throughout his life, It looks like he has lived his own life in this movie. Still now these words "To be or not to be" are resonating in my mind.
Just finished the movie and what an emotional ride it has been for me. Yet another brilliant master-piece of Marathi cinema that makes u feel the immense potential of Marathi film industry and people involved in it ! A much needed message for Indian youth abandoning their duties toward their parents which is displayed in a way that guarantees to fill your eyes with tears of harsh truth that our society is facing. Most of the movie we can relate but few scenes were a bit stretched still story- line full of rich vocabulary and dazzling performance of Nana makes u hold your seat for non-stop 165 minutes. Very Well directed,acted and moreover beautifully scripted its a 10 out of 10 and i wish it could reach out to bigger audience through out the country.
The words uttered by Ganpatrao in Natsamrat feels like a religious discourse, falling on ears like a soothing balm. It is after many a long years that dialogues with such finesse have been put up on the screen. They seem nothing less than those featured in plays Ganpatrao cherishes and brings to life on stage. Screenplay writers nowadays dumb down their content in a disquietude that the audience will not comprehend the gems of emotions they hide beneath the curtains called words. Here, the writing is intelligent treating the audience with the reverence it is often penurious of. A forlorn Ganpatrao asks in an address to the characters he religiously brought into life 'When will my grief be considered worthy as yours?' Nana Patekar rises to this very question and breathes fire into this character. There are rare times when an actor just draws you into a movie, when he rises above the movie itself and well, puts you in a state of limbo where you are divested from your physical abilities to move. You just stare and get amazed. I hate to say it because I believe staunchly that every actor has untapped potential beyond realization, but this is a career-defining performance by Nana. He can't rise above this unfortunately and it is an amalgamation of sadness and joy when I come to this realization. As to the movie itself, it is left miles behind in the inter space between it and Patekar's performance. It is ridden with the very clichés I had expected it to be free from the shackles o
What a movie by Nana Patekar!! He is at his best. It feels like watching the sequel of the legendary movie Wajood. Love it!!
Reasonable production, setting and photography. Storyline of family dramatic events but ultimately not particularly fascinating. Good acting but pacing was a real challenge to sit through. Persevered to finish due to the high rating but ultimately had to finish it over 4 sittings. Not memorable unfortunately.
This is a screen adaptation of a famous play from the 70s and 80s of the same name. I haven't seen the play and cannot comment on the authenticity of the adaptation. This film is a story of a stage actor who after retirement finds it difficult to adjust living with his children. It's a very long film which seems overindulgent. The same story if told in half the time would have been more effective. The performances are good but it's way too long and tests your patience.