The Playbird Murders poster

The Playbird Murders

  • Movie
  • 1978
  • 1h 34m
  • United Kingdom
  • 4.2/10 (705 votes)
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Overview

Two detectives are drawn into the world of porn, while investigating murders of centrefolds...

Cast

  • Willy Roe Director
  • Mary Millington Lucy
  • Glynn Edwards
    Glynn Edwards Holbourne
  • Gavin Campbell 'Inspector Harry Morgan'
  • Gavin Campbell Morgan
  • Alan Lake
    Alan Lake Dougan
  • Windsor Davies
    Windsor Davies Assistant Police Commissioner
  • Derren Nesbitt
    Derren Nesbitt Jeremy
  • Kenny Lynch Police Doctor
  • Suzy Mandel
    Suzy Mandel Lena
  • Ballard Berkeley
    Ballard Berkeley Trainer
  • Sandra Dorne
    Sandra Dorne Dougan's Secretary

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Available Subtitles

English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ

Viewer comments

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  • STEPHANIE BOAFO 💦🦋🥺❤️

    THE PLAYBIRDS is another late '70s sexploitation effort from Britain, but like most of the others it really isn't much cop. Mary Millington appears as a female police officer who agrees to help some detectives in their hunt for a serial killer, but there are so many characters here she just sort of gets lost in the masses. Familiar faces pop up the cast but don't get very much to do, although it's amusing to see TV presenter Gavin Campbell as the lead. The mystery aspects are very poorly handled and the closing reveal is as uninteresting as they come. Expect wall to wall nudity, as per usual by genre standards, and a particularly angry Alan Lake performance.

  • Myrade

    Recently,when I was looking at the filmography of Harry H.Corbett,I spotted a film that sounded like a very enjoyable Giallo-style mystery film called Cover Girl Killer,as I read up about the film,I found out that a film made in the seventies,which had a very similar plot,and also had a good amount of Sitcom stars had just been brought out on DVD.With having now seen the film,I feel that it did not get anywhere near to the potential that it could have reached. The plot: When police go to investigate a murder of a model,they discover that she has had a number written on her head.As they look into her career,it is revealed that she has posed * for an occult-themed centre fold in a magazine,which was published on the month that matches the number that was written on her head.Due to not wanting to raise any suspicious,the detectives decide to send an undercover police officer,to work at the magazine as a model.Although,when it is announced that she has been chosen to be the next centre fold,the detectives start to wonder if they may have given the killer his next opportunity... View on the film: The people that I feel easily deserve a huge amount of praise for this film,is the DVD company Odeon Entertainment.Whilst the film is very low- budget,Odeon has treated the film with a huge amount of respect,which has included a surprisingly very impressive remastering,that has made the film look very shiny and (almost) new. For a film having a plot that should offer a huge bundle of thri

  • abhijay Singh

    Well, it's one way to build circulation for your * mag - make an X-rated thriller about it, as David Sullivan did, even hinting that the pornographer in the story could be trying to keep his own magazine (also conveniently called 'Playbirds') in the public eye by arranging for each centrefold model to be brutally murdered, just as the publication hits the street. We can't name the killer, of course, but we can tell you that the suspects make a colourful line-up, providing an excuse for some varied location scenes, ranging from Speakers' Corner through Newmarket racecourse to a forest where some rather extreme witchcraft rituals look like getting out of hand... Funniest is the moment when the baffled detectives think it's time to send in an undercover female cop to charm the publisher into giving her a centrefold, so they have to start by holding auditions at Scotland Yard. Mary Millington carries no conviction whatever as a police officer, but she certainly makes one heck of a *, and should have exploited the surprisingly common policewoman * with plenty of slow peeling-off of the dark blue livery of the law. Nobody could watch this film without noting the sad irony that two of the young stars committed suicide soon after: first Millington herself, swamped by drugs and tax-bills, and then the alcoholic Alan Lake, unable to cope with the premature death of his wife Diana Dors. This reflects a haunting theme, the mystic link between mating and death - the *-stars we're conditio

  • kela junior 10

    This is a curious mixture of sex comedy and giallo crime story, with a lunatic stalking and killing cover-girls from top-shelf magazines and a couple of clueless coppers going after him; they get nowhere, so a luscious policewoman is sent undercover to infiltrate the sex trade and track down the killer. There's something strangely compelling and entertaining about The Playbirds. The 70s mores on display are very redolent of that bygone era, with pornographers waging an ongoing battle against the forces of repression, prudery and censorship. As this film was produced by Britain's most successful pornographer David Sullivan, it doesn't exactly debate an even argument - the anti-* characters are either psychotic or hypocritical. The film is in essence one of the most daring product placement campaigns in cinema history - the murdered girls appear on the cover of Playbird magazine, a real mag published by Sullivan whose industrial, mass-production printing presses are the most compelling things on screen here, spewing out copy after copy of his nudie mags. The film stars the doomed Alan Lake as a Sullivan surrogate and the equally doomed Sullivan pin-up model and business associate Mary Millington plays (one can't quite say acts) the part of the undercover policewoman. With Millington in the part, the policewoman was never going to have any difficulties with the sexual side of her assignment, and she (the character and the actress playing her) throws herself with brio into variou

  • 🥝 يوسف 🫒

    I really think this film has really taken a bum rap. It's sad to think, two of the main actors actually committed suicide, one shortly after this. I loved the saucy and cheeky nudity, full frontage, in a film that barely ceased to exist as a Roadshow title. As a thriller it really works. Some nutter is murdering sexy bare bodied girls who feature in the nudie magazine, Playgirl, where each month brings a cover girl victim, so it's not long before authorities figure the pattern, only this psycho is really clever, his method of kill- inflicting strangulation, bringing among suspects, one, a young photographer, with a bit of a dirty S and M record who does nudie sessions with models, one involving a rocking horse, you will never forget. So they send in a undercover cop posing as a budding model, where now things get quite risky. There are some terrifying edge of seat moments, if watching on a first view. I really like how Londoners make these B grades, whether psychological and sexual thrillers, or just saucy sex films, and The Playgirl Murders is quite tightly plotted. How's this? The chief detective who him and his partner work the murders, loves to have a bit of a gamble, where too another suspect, likes betting the horses too. This chief detective who used to play Frank Spencer's warring neighbor in Some Mother's Do Ave Em' would rather do this, than work a murder scene. The undercover cop audition was funny and sexy, and TPM really has it's moments. I really like this film